Most editors realize that successful post-production is built on solid production, and that capturing decent audio is just as critical - if not more so - than capturing good video. Here is a step-by-step explanation of how to set up an external condenser microphone, a basic field mixer and a prosumer camcorder – specifically, audio-technica’s AT8035 Line + Gradient Condenser Microphone, Sound Devices’ 302 Compact Production Mixer and Canon’s XH-A1 high definition camcorder - to capture audio in the field.
Read the
article from the
District of Columbia Final Cut Pro User Group.
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